Grown from a prior curatorial project (Enucleo - contemporary clay), Enucleo - subversive clay expanded upon the premise of the presentation of ceramic artworks in the absence of plinths. This time, detached even further from white cubes, immersed in deep in a dark, centuries-old stone barn, light and its absence became a partner in the exploration of ceramics as a contemporary medium.
This exhibition was staged at the Rosny Barn, Hobart, Tasmania, in conjunction with The Australian Ceramics Triennale, 2019.
Images: Chris Crerar
